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Our House, Our Home

Thursday, January 10, 2013

Maryann and Raymond Eger started dating when they were teenagers in New Dorp Beach, Staten Island. They have been together for over forty years, raising their family in the same house that Maryann was born in. Now, Hurricane Sandy may force them to leave the place they have always called home.

Follow Jika on Twitter @JikaGlez


Wednesday, September 5, 2012

Maria arrived to the United States when she was only 2 years old. She has lived in White Plains, New York for most of her life, and while she considers herself to be an American, she is still an undocumented immigrant under U.S. law.

Maria works as a tattoo artist at La Tinta de la Santa Muerte, a tattoo and piercing shop that she runs with her family.

Being Modern in Lebanon: Mouna Bassili Sehnaoui

Economics From the Left: Michael Perelman and Post-mortem Capitalism

Tuesday, August 21, 2012

On the Series

Economics from the Left is a series dedicated to bringing to the fore the voices of economists from the left, voices much needed in these times of mainstream mediocrity and irrelevance. The worldviews within the series are increasingly more in tune with what the majority of the disenfrachised across the world are coming to understand as their own systemic state of affairs. Underground, rhizomatic, networked and most importantly, viable, these timely responses to the continuous systemic failures of the Capitalist system erupt with the possibilities of better things to come and solidarity against the inanity of mainstream discourse. 

Gambit (The Art of Creating) No. 10 - Dami Ajayi

Tuesday, August 7, 2012

I have interacted with Dami Ajayi more than any other writer in this series; easily he was the choice for the final conversation. I have lived with Dami, shared books with him, written about him, dreamt with him, fought literary wars with him; together we have co-founded a literary magazine, organized workshops, readings, etc etc. He's kin, as well as colleague. So readers will notice how we easily lapsed into ourselves in the following conversation, referring to subjects and experiences that  is peculiar to our shared moments. Even more when we go back and forth about my new novel.

Gambit (The Art of Creating) No. 9 - Ayodele Morocco-Clarke

Thursday, July 26, 2012

Ayodele is one of the most consistent Nigerian writers of the last half-decade. She’s the oldest writer in the Gambit series, although I wouldn’t want to ask her if she’s comfortable being grouped with younger colleagues. I figure that question would be answered with a wave of her hand; Ayodele gives the impression that even the most obvious of borders doesn’t exist. Meeting her in person, I was drawn to her infinite knowledge about everyone and everything in the literary world.

#SudanRevolts: A Young Journalist's Perspective

Friday, July 13, 2012

Known on Twitter simply by the hashtag #SudanRevolts, the protests that erupted in Khartoum nearly a month ago now do not seem to be fading. In fact, the movement is gaining momentum, with those involved hoping to finally see real change in the country. Calling for the removal of current President Omar al-Bashir (among other demands), the movement’s goals are ambitious to say the least. Yet as daunting as it may seem, success is crucial both for the people of Sudan and their new neighbor South Sudan.

Gambit (The Art of Creating) No. 8 - Abdul Adan

Monday, June 11, 2012

I first found Abdul’s name on African Writing, I think. I was then searching for writers to include in this project, writers who were, should I say, "within reach." Indeed, Abdul was. This conversation demonstrates, in an interesting way, how his creativity seems bared, in an open-ended way, so that it seems possible to discover the extent of his nuances.

Gambit (The Art of Creating) No. 7 - Richard Ali

Thursday, May 24, 2012

It is best that Richard speaks for himself, that I present this conversation without remarks. For suddenly, in need of an introductory note, I find that I have none, and that Richard’s responses sparks of completeness. In fact, I had no reason to respond to his first responses – perhaps silenced by the lengthiness and profundity of each response. And knowing Richard, knowing him as the Chief Operating Officer of Parresia, publishers of my first book, and having met him only once, yet feeling that I have known him for a much longer time, I daresay that I expected to be knocked down by the weight and compulsiveness of his erudition.